#The adventures of tintin box office series
Spielberg himself didn’t discover Tintin until 1980 or so, he recalled, and read the series to each of his six children in turn. Yet outside high-end bookstores, Spielberg admitted, it has remained obscure here. The series has been a Harry Potter-level phenomenon around the world for decades, selling some 200 million copies. Georges Remi, better known as Herge, wrote and drew 23 adventures for his boy reporter between 19. Many American moviegoers don’t know Tintin from Rin Tin Tin, the soulful German shepherd. The Smurfs crossed the Atlantic successfully, but Tintin has had a tough time cracking the U.S. The real trick was creating a franchise around a 70-year-old Belgian cartoon character. The technical questions involved in motion-capture animation were familiar enough. Spielberg was determined to shoot a key scene in the rain ― “not Hollywood rain but real rain” ― and the weather was uncooperative.įor “Tintin,” he faced another series of hurdles. “War Horse” presented logistical challenges, from the animal cast (up to 280 horses were used in a single scene) to the ever-changing clouds and light above the English moors. Because a live horse actually listens to me.” “It’s harder to work with a mechanical shark, of course. Bobby and his entire team of horse whisperers did the most amazing job of getting the script needs and my needs to the animals, who not only performed what they were supposed to perform, they were improvising all the time and we got things we never expected a horse can do on film,” he said. “The horses were brilliant, and the trainers were the reason they were so brilliant. Spielberg, who set the pattern for the modern studio blockbuster with “Jaws,” even had kind words for the animals.
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Whether he’s discussing Peter (“Lord of the Rings”) Jackson, who produced “Tintin,” or animal trainer Bobby Lovgren, who worked with the equine performers on “War Horse,” the filmmaker makes it sound as if he’s just lucky to have such talented teammates. His bankability is seen again this month, with production budgets of $70 million for “War Horse” and $130 million for “Tintin.” In an industry where egos loom large, the 64-year-old Spielberg is exceptionally unaffected. He’s done well, with two best-director Oscars (for “Schindler’s List” and “Saving Private Ryan”) and a career box-office gross of $6 billion and counting. I’ve never ever held out expectations beyond hoping that the films do well.”
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I’m so happy that both these movies are coming out during the family movie-going season. “Hey, you know something? I’m blessed that this year I’ve been able to have two movies come out. But in a recent phone conversation, an upbeat Spielberg said he was delighted at the parallel premieres and unconcerned that he might be cannibalizing his audience. Studios usually scramble to avoid scheduling big pictures head-to-head. Never before has Spielberg faced such formidable competition. “War Horse,” a poignant live-action drama about a farm animal that enters England’s World War I cavalry, arrives Sunday. On Wednesday comes “The Adventures of Tintin,” based on the globally popular comics, mixing adventure, slapstick, mystery and humor in photorealistic 3D animation. He will be opening two highly anticipated films just days apart. Steven Spielberg, arguably the most popular filmmaker of the 20th century, meets his match this week: Steven Spielberg.